Stereo
Although the majority of the film was shot in stereo, the stereo team was called in to deliver 3D conversion for over 100 shots. A lot of the work was about making things look beautiful whilst controlling scale and scope – it needed to have the feeling of hyper-reality and also it needed to play convincingly in both a 2D and 3D world.
The stereo team worked on a selection of World War One and 1920’s archive footage which not only required conversion to 3D but also colorization to match the vivid and saturated tones of the rest of the film.
